Hans Albers - La Paloma (1944)

Hans Albers - La Paloma (1944) Lyrics: Ein Wind weht von Süd und zieht mich hinaus auf See! Mein Kind, sei nicht traurig, tut auch der Abschied weh. Mein Herz geht an Bord und fort muß die Reise gehn. Dein Schmerz wird vergehn und schön wird das Wiedersehn! Mich trägt die Sehnsucht fort in die blaue Ferne. Unter mir Meer und über mir Nacht und Sterne. Vor mir die Welt, so treibt mich der Wind des Lebens, wein' nicht, mein Kind, die Tränen, sie sind vergebens. La Paloma ohe - einmal muß es vorbei sein! Nur Erinn'rung an Stunden der Liebe bleibt noch an Land zurück. Seemannsbraut ist die See, und nur ihr kann ich treu sein. Wenn der Sturmwind sein Lied singt, dann winkt mir der Großen Freiheit Glück! Wie blau ist das Meer, wie groß kann der Himmel sein! Ich schau' hoch vom Mastkorb weit in die Welt hinein. Nach vorn geht mein Blick, zurück darf kein Seemann schau'n. Cap Horn liegt auf Lee, jetzt heißt es auf Gott vertrau'n. Seemann, gib acht! Denn strahlt auch als Gruß des Friedens, hell in der Nacht das leuchtende Kreuz des Südens, schroff ist das Riff und schnell geht ein Schiff zugrunde. Früh oder spät schlägt jedem von uns die Stunde. La Paloma ohe - einmal wird es vorbei sein! Einmal holt uns die See, und das Meer gibt keinen von uns zurück. Seemannsbraut ist die See, und nur ihr kann ich treu sein. Wenn der Sturmwind sein Lied singt, dann winkt mir der Großen Freiheit Glück!

Sting - Fragile (1988)

Sting - Fragile (1988) NL#12, UK#70 Lyrics: If blood will flow when flesh and steel are one Drying in the colour of the evening sun Tomorrow's rain will wash the stains away But something in our minds will always stay Perhaps this final act was meant To clinch a lifetime's argument That nothing comes from violence and nothing ever could For all those born beneath an angry star Lest we forget how fragile we are On and on the rain will fall Like tears from a star like tears from a star On and on the rain will say How fragile we are how fragile we are On and on the rain will fall Like tears from a star like tears from a star On and on the rain will say How fragile we are how fragile we are How fragile we are how fragile we are

Rosenstolz - Auch im Regen (2006)

Rosenstolz - Auch im Regen - Tom Novy Remix (2006) DE#8, AT#35 Lyrics: Wie kannst du dir so sicher sein? Du bist doch viel zu wütend Um irgendwas zu seh'n Du schreibst dich selbst mal groß, mal klein Am Ende ist's verwirrend Und sehr schwer zu versteh'n Ich weiß nur, es wird regnen Und hört so schnell nicht auf Glaub mir, es wird kälter Wann hört das wieder auf? Ist da draußen kein Licht? Wolken nehmen dir die Sicht Auch im Regen Auch im Regen Siehst du mich Wenn dein Boot untergeht Und du gar nichts mehr verstehst Auch im Regen Selbst im Regen Find' ich dich Zersäg den Ast auf dem du sitzt Spring ab, fang an zu laufen Das kann ich für dich nicht Lass von dir hör'n wenn's soweit ist Du musst dich auch nicht ändern Es ändert sich für dich Ich weiß nur, es wird regnen Und hört so schnell nicht auf Glaub mir, es wird kälter Wann hört das wieder auf? Ist da draußen kein Licht? Wolken nehmen dir die Sicht Auch im Regen Auch im Regen Siehst du mich Wenn dein Boot untergeht Und du gar nichts mehr verstehst Auch im Regen Selbst im Regen Find' ich dich Bald siehst du Land Halt bitte noch durch Ich seh' ganz sicher dort hinten ein Licht Schwimm um den Verstand Gib jetzt noch nicht auf Ich führ' dich aus diesem Irrgarten raus Auch im Regen Auch im Regen Siehst du mich Auch im Regen Selbst im Regen Find' ich dich Auch im Regen Auch im Regen Siehst du mich Auch im Regen Selbst im Regen Find' ich dich Auch im Regen Auch im Regen Siehst du mich Auch im Regen Selbst im Regen Find' ich dich

Prince - Purple Rain (1984)

Prince - Purple Rain (1984) NL#1, UK#1, US#2, CAN#3, AT#4, CH#5, DE#5, DK#5, NOR#5, SWE#5, IRL#8, NZ#16, AUS#40 Lyrics: I never meant to cause you any sorrow. I never meant to cause you any pain. I only wanted to one time see you laughing. I only wanted to see you laughing in the purple rain. Purple rain, purple rain. Purple rain, purple rain. Purple rain, purple rain. I only wanted to see you bathing in the purple rain. I never wanted to be your weekend lover. I only wanted to be some kind of friend. Baby I could never steal you from another. It's such a shame our friendship had to end. Purple rain, purple rain. Purple rain, purple rain. Purple rain, purple rain. I only wanted to see you underneath the purple rain. Honey I know, I know, I know times are changing. It's time we all reach out for something new, That means you too. You say you want a leader, But you can't seem to make up your mind. I think you better close it, And let me guide you to the purple rain. Purple rain, purple rain. Purple rain, purple rain. If you know what I'm singing about up here. C'mon raise your hand. Purple rain, purple rain. I only want to see you, only want to see you.

Red Hot Chilli Peppers - Adventures of Raindance Maggie (2011)

Red Hot Chilli Peppers - The Adventures of Raindance Maggie (2011) SVK#3, ISR#5, JPN#6, HUN#7, BE#8, IT#13, CAN#16, AT#20, DE#20, FIN#20, CH#26, NL#28, NZ#30, FR#38, US#38, AUS#41, ES#43, UK#44 Lyrics: Lipstick junkie Debunk the all in one, she Came back wearing a smile Lookin' like someone drugged me That wanted to unplug me No one here is on trial It's just a turnaround And we go, oh And then we go oh oh oh oh Tic toc I want to Rock you like the 80's Cock blockin' isn't allowed Tugboat Sheila Is into memorabilia Who said three is a crowd We better get it on the go Hey now We've got to make it rain somehow She told me to And showed me what to do Our Maggie makes it in a cloud I said Hey now We've got to make it rain somehow She told me to And showed me what to do She knows how to make it loud Rain dance Maggie Advances to the final Who knew that she had the goods Little did I know her body Was warm delicious vinyl To your neck of the woods I want to lick a little bit Hey now We've got to make it rain somehow She told me to And showed me what to do Our Maggie makes it in a cloud (Guitar solo) You've got the wrong girl But not for long girl It's in the song girl 'Cause I'll be gone girl Hey now We've got to make it rain somehow She told me to And showed me what to do Our Maggie makes it in a cloud I said Hey now I want to rock this rowdy crowd She told me to And showed me what to do She knows how to make it loud But not for long girl It's in the song girl 'Cause I'll be gone 'bye 'bye 'bye yeah 'Bye 'bye 'bye girl

Mando Diao - Dance With Somebody (2009)

Mando Diao - Dance With Somebody (2009) AT#1, DE#2, CH#3, NL#4, SWE#4, GRE#10, FIN#13 Lyrics: Break your happy home Learn to sing along To the music, to the music Clap your hands and shake On a summer's day To the music, to the music I'm falling in love with your favourite song I'm gonna sing it all night long I'm gonna dance with somebody Dance with somebody Dance, dance, dance I'm gonna dance with somebody When you're all alone We become your home Where the music, where the music When your love's away, and you feel betrayed We're the music, sweet music I'm falling in love with your favourite song I'm gonna sing it all night long I'm gonna dance with somebody Dance with somebody Dance, dance, dance Dance... I'm falling in love with your favourite song I'm gonna sing it all night long I'm gonna dance with somebody Dance with somebody Dance, dance, dance

Sergio Mendes & Brasil 66 - Mas Que Nada (1966)

Sérgio Mendes & Brasil 66 - Mas Que Nada (1966) Lyrics: Mas que nada Don't mind that Sai da minha frente Get out of my way Eu quero passar I want to come through Pois o samba está animado Because the samba is cheerful O que eu quero é sambar And what I want is to samba Este samba This samba Que é misto de maracatu is a mixture of Maracatu É samba de preto velho It is the old black man's samba Samba de preto tu Black man's samba Mas que nada Don't mind that Um samba como esse tão legal A samba like this is so cool Você não vai querer You won't want it Que eu chegue no final to come to an end.

RuPaul - Give It One More Try (2004)

RuPaul, the world's most famous Drag Queen (well apart from our London RVT Sunday fave Jonathan, a.k.a. Edna :-) burst onto the scene in 1993 with 'Supermodel (You Better Work)'. The album was just as brilliant. But unless you live on the wrong side of the pond you may have heard fairly little of him. 'Give it one more try', released in 2004 - a jaw-dropping 8 years ago - may have been an exception. If it hasn't, here is a chance to catch up :-)
RuPaul - Give It One More Try (2004) Lyrics: There’s a cab outside,
Should I tell him don’t bother?
I’ll say there’s been some mistake
And that he doesn’t have to wait
If it wasn’t so tragic, it would be funny
But i know that feelings have been hurt
And that you have the final word

October came early
Starting to look like rain
So what’s your hurry, baby
They’ll always be another plane

Give it one more try
Right here by my side
Leaving’s not the answer or the solution
Give it one more try
Let your conscience be your guide
Right here by my side no more confusion

Did you hear me say
that i really love you?
and that i always will
Nothing can change the way i feel
But I’m starting to question why i try to persuade you
Cause if you don’t look me in the eyes
How can i begin to change your mind?

I don’t wanna blow it by
standing in your way
You say that you’re going
There’s gotta be a better way

There was a time
When you said we’d always be together
Said it would be you and me forever
And there was a time
When we didn’t think about tomorrow
Don’t let our future end right here in sorrow

If this is goodbye, at least i know i really tried
I gave the best i had to offer you

CeCe Peniston - I'm Feelin U (2007)

Soundtrack to my Morning... Not as widely known as 'Finally' but the sound of crickets makes this magical for mixing, getting the crowd rocking. Fire Island stuff :-)
CeCe Peniston - I'm Feelin U - Ron Carroll's Original Vocal Mix (2007)

Soup Dragons - I'm Free (1990)

Soup Dragons - I'm Free (1990) UK#5, US#79 Lyrics: Don't be afraid of your freedom Freedom I'm free To do what I want Any old time I said I'm free To do what I want Any old time I say Love me hold me Love me hold me 'Cause I'm free To do what I want Any old time And I'm free To be who I choose Any old time I say love me hold me Love me hold me 'Cause I'm free I say love me hold me Love me hold me 'Cause I'm free To do what I want To be what I want Any old time And I'm free To be who I choose To get my booze Any old time I say love me (Love me forever) Hold me (And love will never die) Love me hold me 'Cause I'm free Do you hear what I say These are the words me hear from my grandaddy Come on These are the words me hear from my grandaddy Who say nothing in this world like when a man know he free Free from the lackamissa (?) Free from the dee (?) Free like a butterfly Free like a bee These are the words me hear from my grandaddy Said it's nice to be free Nice to be free Free from the lackamissa (?) Free from the dee (?) Don't be afraid of your freedom 'Cause I'm free To do what I want Any old time (I'm a new creation) 'Cause I'm free To do what I want Any old time (Don't be afraid of your freedom) 'Cause I'm free To do what I want To be what I want Any old time I said I'm free To be who I choose To get my booze Any old time

Moby & Mylene Farmer - Slipping Away/Crier La Vie (2006)

Moby & Mylene Farmer - Slipping Away/Crier La Vie (2006)
Moby & Mylene Farmer - Slipping Away by thisurf Lyrics: All that we needed, was right Les ombres ce soir nous menacent Open to everything happy and sad Seeing the good, même si tout va si mal Voir le soleil quand la nuit nous accable Oh, pour un jour croire aux dieux, croire aux fables Focus on everything better today Crier la vie quand tout autour se tait Hold on to people they're slipping away Hold on to this while it's slipping away All that we needed, tonight Are people who love us, and life Je sais les douleurs et les doutes Oh, partir est ce qu'on redoute Oh si.. Open to everything happy and sad Seeing the good, meme si tout va si mal Voir le soleil quand la nuit nous accable Oh, pour un jour croire aux dieux, croire aux fables Focus on everything better today Crier la vie quand tout autour se tait Hold on to people they're slipping away Hold on to this while it's slipping away So long Mais l'ombre...

Depeche Mode (1981 - to date)

Depeche Mode formed in 1980 in Basildon, Essex, England - although their origins date back to 1977, when schoolmates Vince Clarke and Andrew Fletcher formed a band called No Romance in China, with Vince on vocals and guitar and Andrew on bass.
Vince then played guitar in 'Ultravox rip-off band' The Plan in 1979 with friends Robert Marlow and Paul Langwith, while Martin Gore played guitar in acoustic duo Norman & The Worms with school friend Philip Burdett on vocals. Marlow, Gore, and Paul Redmond formed a band called The French Look.
In March 1980, Vince, Martin and Andrew formed a band called Composition of Sound. Soon after the formation of Composition of Sound, Vince and Andrew switched to synthesizers. Dave Gahan joined the band in 1980 after Vince heard him perform at a local scout hut jam session, singing to a rendition of David Bowie's 'Heroes' - and Depeche Mode were born.
When explaining the choice for the new name, taken from a French fashion magazine, Dépêche Mode, Martin Gore said: 'It means hurried fashion or fashion dispatch. I like the sound of that.'
Martin recollects that the first time the band played as Depeche Mode was a school gig in May 1980. The band made their recording debut in 1980 on the Some Bizzare Album with the song 'Photographic', which was later re-recorded for their debut album Speak & Spell.
While playing a live gig at the Bridge House in Canning Town, London, Depeche Mode were approached by Daniel Miller, founder of Mute Records, who was interested in them recording a single for his label. The result of this verbal contract was their first single, recorded in December 1980 and released in February 1981:
Dreaming of Me (1981) - US#47, UK#57 - non album single release (no video)

Encouraged by this, the band recorded their second single:
New Life (1981) - UK#11, IRL#22, US#29 - Speak & Spell

The next single was a relentlessly upbeat piece of synthpop, which became the band's first UK Top10 hit and it remains one of their best known songs. It was also the first Depeche Mode song to get a music video and is the only one of the band's videos to feature Vince Clarke. Depeche Mode's debut album, Speak & Spell, was released in November 1981 and peaked at number ten on the UK album charts:

Depeche Mode - Just Can't Get Enough (1981) - Speak & Spell
AUS#4, UK#8, SWE#14, IRL#16, US#26



During the touring and promotion for Speak & Spell, Vince began to voice his discomfort at the direction Depeche Mode were taking and, in November 1981, he was leaving the band. He joined up with blues singer Alison Moyet to form Yazoo and, later, the duo Erasure with Andy Bell. Initial talk of continuing to write material for Depeche Mode amounted to nothing. Vince offered them the track 'Only You, but they declined. It went on to become a UK Top3 hit for Yazoo.
In late 1981, they placed an anonymous advertisement in British music mag Melody Maker looking for another musician. Alan Wilder from Hammersmith, West London was hired in early 1982 initially on a trial basis as a touring member. In January 1982, the band released:

Depeche Mode - See You (1982) - A Broken Frame
UK#6, IRL#9, DE#44



The tour that followed the release of the single saw the band playing their first shows in North America. Two more singles were released ahead of the band's second studio album:

Depeche Mode - The Meaning of Love (1982) -A Broken Frame
UK#12, IRL#17, SWE#16, DE#64



Depeche Mode - Leave in Silence (1982) - A Broken Frame
IRL#13, SWE#17, UK#18, DE58



Depeche Mode began work on their second album in July 1982. Daniel Miller informed Alan that he was not needed for the recording of the album, as the band wanted to prove that they could succeed without Vince Clarke.
A Broken Frame was released that September and the following month the band set off on their second tour of 1982. A non-album single was released in January 1983, and was the first Depeche Mode track to be recorded with Alan:

Depeche Mode - Get the Balance Right! (1983) - non album single release
UK#13, IRL#16, US#31, DE#38



For their third album, Construction Time Again, Depeche Mode worked with producer Gareth Jones, at John Foxx's Garden Studios and at Hansa Studios in West Berlin. The album saw a dramatic shift in the group's sound: by sampling the noises of everyday objects, the band created an industrial sound.
Along with the music, Martin's songwriting was also rapidly evolving, focusing increasingly on political and social issues. An example of the new sound was on the first single, a commentary on the perceived greed of multinational corporations:

Depeche Mode Everything Counts (1983) - Construction Time Again
UK#6, CH#8, IRL#15, SWE#18, DE#23, AT#26, IT#32



In September 1983, to promote Construction Time Again the band launched a concert tour all over Europe.

Depeche Mode - Love in Itself (1983) - Construction Time Again
UK#21, IRL#27, DE#28



In their early years, Depeche Mode had only really attained success in Europe and Australia, however this changed in March 1984 when they released:

Depeche Mode- People are People (1984) - Some Great Reward
DE#1, IRL#2, UK#4, CH#4, US#13, SWE#15, IT#20, AUS#25



The song was used as the theme to West German TV's coverage of the 1984 Olympics and also charted in the US charts in mid-1985. The song had then become an anthem for the LGBT community. In September 1984, Some Great Reward was released.
In contrast to the political and environmental subjects addressed on the previous album, the songs on Some Great Reward were mostly concerned with more personal themes such as sexual politics...

Depeche Mode - Master and Servant (1984) - Some Great Reward
DE#2, SWE#7, CH#8, UK#9, IT#27, FR#34, US#49, AUS#89



... adulterous relationships...

Depeche Mode - Lie To Me (1984)



...and arbitrary divine justice...

Depeche Mode - Blasphemous Rumours (1984) - Some Great Reward
IRL#8, UK#16, CH#19, DE#22, AUS#87



Depeche Mode - Blasphemous Rumours (1984)
********** RARE 8 min version! *********




Also included was the first Martin Gore ballad. 'Somebody' was released as a double a-side with 'Blasphemous Rumours' and was the first single with Martin on lead vocals:

Depeche Mode - Somebody (1984) - Some Great Reward
was the flip-side of Blasphemous Rumours



In October 1985, Mute Records released a compilation, The Singles 81>85, which included the two non-album singles 'Shake the Disease' (one of my personal favourites of Depeche Mode) and 'It's Called a Heart'.

Depeche Mode - Shake the Disease (1985) - Singles 81->85
DE#4, SWE#5, CH#6, IRL#9, FR#13, UK#18, IT#29



Depeche Mode's musical style shifted again in 1986 with the release of 'Stripped', and its accompanying album Black Celebration. Retaining their sampling and the industrial sound, the band introduced an ominous, highly atmospheric and textured sound. Martin's lyrics also took on darker tone and became more pessimistic. 'New Dress' would mark the last time he attempted the kind of overt social commentary.

Depeche Mode - Stripped (1986) - Black Celebration
DE#4, CH#8, CH#9, IT#14, UK#15



Depeche Mode - A Question of Lust (1986)


Depeche Mode A Question Of Lust
Uploaded by burtonienne. - Watch more music videos, in HD!

The music video for 'A Question of Time' was the first to be directed by Anton Corbijn, beginning a working relationship that continues to the present day. He has directed a further 19 videos (the latest being 2006's 'Suffer Well') and has also filmed some of their live performances and designed stage sets and album and single covers.

Depeche Mode - A Question of Time (1986)



Music for the Masses saw further alterations in the band's sound. David Bascombe was called to assist with the recording sessions. In making the album the band largely eschewed sampling in favour of more synth experimentation. While the chart performance of the singles the next three singles 'Strangelove', 'Never Let Me Down Again' and 'Behind the Wheel' were somewhat disappointing in the UK, they scored high in Canada, Brazil, Germany, South Africa, Sweden and Switzerland. The album also achieved the long awaited breakthrough in the US, which would be eternally manifested by the final concert of the their promotional tour at the Rose Bowl, Pasadena - see my previous post - a concert I would do or give anything for to attend again in time travel. The '101' live album and documenary was the result. I could watch it over - and over - and over - and over, again. Orgasmic!

Depeche Mode - Strangelove (1987)



Depeche Mode - Never Let Me Down Again (1987)



Depeche Mode - Behind The Wheel (1987)



Depeche Mode - Pimpf (1987)



Depeche Mode - Little 15 (1988)



In mid-1989, the band began recording in Milan with producer Flood and engineer François Kevorkian. The initial result of this session was the single:

Depeche Mode - Personal Jesus (1989)



Released in January 1990, 'Enjoy the Silence' became one of Depeche Mode's most successful singles to date, reaching number six in the UK. A few months later it became Depeche Mode's biggest hit in the US, reaching number eight and earning the band a second gold single. It won 'Best British single' at the 1991 Brit Awards.

Depeche Mode - Enjoy The Silence (1990)



To promote their album Violator, the band held an in-store autograph signing at Wherehouse Entertainment in Los Angeles. The event attracted approximately 20,000 fans and turned into a near riot.
Some of those who attended were injured by being pressed against the store's glass by the crowd. As an apology to the fans who were injured, the band released a limited edition cassette tape to fans living in Los Angeles.

Depeche Mode - Policy of Truth (1990)



Depeche Mode - World in my Eyes (1990)



Depeche Mode - Halo (1990)



Depeche Mode - Clean (1990)




Depeche Mode - I Feel You (1993)



Depeche Mode - Walking in my Shoes (1993)



Depeche Mode - Condemation (1993)



Depeche Mode - In Your Room (1994)



Depeche Mode - Barrel of a Gun (1997)



Depeche Mode - It's No Good (1997)



Depeche Mode - I Feel Loved (2001)



Depeche Mode - Precious (2005)



Depeche Mode - Suffer Well (2006)



Depeche Mode - Wrong (2009)

Quartzlock & Lonnie Gordon - Love Eviction (1995)


Quartzlock feat. Lonnie Gordon - Love Eviction (1995)
UK#32



Lyrics:

Well, well, well
You finally got here
I've been sitting up all night
Just waiting to talk to ya
But that is nothing unusual huh,
Is it honey?
Well, what happened?
Your bit of trash, she kicked you out
And you thought you'd come
Running back to me?
Well let me tell you honey
I've got better things to do
Than sit around waiting for you
Just listen to me, listen to me honey
I’m own the house, i pay the bills
And you've been living on borrowed time
Can you dig it?
You'd better believe it
Don't look at me like that
With those sogged eyes
Thinking i'd come running back to you
What am i doing?
Yes, i'm packing your bag
Don't touch me
Don't, don't, don't touch me

I have taken all
I'm gonna take from you
You kicked and beat me until
I was black and blue
Never again will i suffer in silence
From your verbal abuse and
Your physical violence

Now boy it's my turn, my home and my glory
Here comes the end of a very long story
I'm out control now and as weak as i am
I'm at that point where i don't give a damn

This is a love eviction,
An end to the friction
Just head straight for the door
A love eviction, a sentence and conviction
You don't live here anymore

This is a love eviction,
An end to the friction
You're leaving now, there's no doubt
A love eviction, a sentence and conviction
Just take your things and get out

You're leaving tonight boy,
It's my turn to shout
Get out of my sight,
I'm kicking you out
I'm saving myself respect,
Saving my pride
Start packing your bags,
Leave your keys on the side

Get out of my house now,
Don't ever come back
You'd better start moving,
I'm on the attack
Don't ever return here,
Don't dock in my door
For this love affair is over,
I can't stand it no more

This is a love eviction,
An end to the friction
Just head straight for the door
A love eviction, a sentence and conviction
You don't live here anymore

This is a love eviction (get out),
An end to the friction (get out)
I said get out
A love eviction, a sentence and conviction

Get on up, get on now
Get on up and get out of my house
What do you think you're doing?
I said get up and get out
Get on up, get on now
Get on up and get out of my house
Get on up, get on now
Get on up and get out of my house
Get on up, get on now
Get on up and get out of my house
Get on up, get on now
Get on up

Take That - Do What You Like (1991)

Take That - Do What You Like (1991) UK#82 Lyrics: Sugar sweet, if only they all knew Jam, can't spread no more you've took my bread Energy, just work, no rest or play Me, myself I'd rather be alone again So you can do what you like -Do what you like No need to ask me -Do what you want Do what you like -Do what you like No need to tell me -Do what you want Cherry pie, you're not as cute as me Ice, could never be as cold as you Recipe, you stir me up inside Me, myself I'd rather be alone again So you can do what you like -Do what you like No need to ask me -Do what you want Do what you like -Do what you like No need to tell me -Do what you want So you can do what you like -Do what you like No need to ask me -Do what you want Do what you like -Do what you like No need to tell me -Do what you want

Outsiders - Keep This Fire Burning (2008)

Freemasons Radio (7") Remix at 3:11 mins Freemasons Extended (12") Remix at 8:20 mins Lyrics: keep it comin' i'll keep it comin' even when you dont know i'll be by your side even when you think your all alone i'll be by your side i'll be right behind you keep on going in which ever way the wind is blowing i will be there till the world stops turning baby i will keep this fire burning when nobody else is i am on your side baby when your not even yourself i am on your side i'll be right behind you keep on going in which ever way the wind is blowing i will be there til the world stops turning baby i will keep this fire burning (burning burning burning.....) i'll keep it coming even when you've lost your faith in love even when there is no light above even when you wanna run and hide i'll be on your side i don't even think you know how far i'm about to go if you put your trust in me i'll keep it comin' ain't nobody stoppin' me when it comes to you and me when nothing's like it used to be i'll keep it comin' i'll be right behind you keep on going in which ever way the wind is blowing i will be there til the world stops turning baby i will keep this fire burning i don't even think you know how far i'm about to go if you put your trust in me i'll keep it comin' ain't nobody stoppin' me when it comes to you and me when nothing's like it used to be i'll keep it comin' i'll be right behind you keep on going in which ever way the wind is blowing i will be there till the world stops turning baby i will keep this fire burning i'll be right behind you keep on going in which ever way the wind is blowing i will be there till the world stops turning baby i will keep this fire burning i will be your sister i will be your brother i will be your friend i will be your love i will be your everything yes i will burning burning..... burning burninig.... burning burning.....

Morrissey - Margaret On The Guillotine (1998)

Morrissey - Margaret On The Guillotine (1998) Lyrics: The kind people have a wonderful dream Margaret on the guillotine because people like you make me feel so tired when will you die? when will you die? when will you die? when will you die? when will you die? because people like you make me feel so old inside please die and kind people do not shelter this dream make it real make the dream real make the dream real make it real

The Killers - When You Were Young (2006)

The Killers formed in 2001. Brandon Flowers (front man), Dave Keuning, Mark Stoermer and Ronnie Vannucci Jr. from Las Vegas, Nevada teamed up after Brandon had left Blush Response, a Synthpop band, when the rest of the band decided to move to California. Seeing an Oasis gig, he decided to move into Rock; and the rest is history.
The Killers draw some of their influences from the music styles of the 1980s, as well as from Bruce Springsteen, which is most notable in their biggest hit so far: When You Were Young, released in 2006 as headline track of their second album Sam's Town. It was certified Diamond in Brazil (500k), Platinum in the US (1mm) and voted #37 by XFM as tracks of all time in 2009.
This song is about growing up and moving on in the world, leaving the past behind you. It deals with how your perceptions change as you look back on your youth.
The music video was filmed in Tlayacapan, Mexico. The visual style being inspired by the films Japón and Batalla en el Cielo both directed by Mexican film director Carlos Reygadas.

The Killers - When You Were Young (2006)
CAN#1, UK#2, IRL#6, AUS#10, NZ#10, US#14, POR#18, NOR#20, NL#25, IT#40, BE#43, DE#44, SWE#45, CH#54



The Killers - When You Were Young (Live @ T in the Park 2007)



The Killers - When You Were Young (Live @ The Royal Albert Hall 2009)




Lyrics:

You sit there in your heartache
Waiting on some beautiful boy to
To save you from your old ways
You play forgiveness
Watch it now
Here he comes

He doesnt look a thing like Jesus
But he talks like a gentleman
Like you imagined
When you were young

Can we climb this mountain
I dont know
Higher now than ever before
I know we can make it if we take it slow
Let's take it easy
Easy now
Watch it go

We're burning down the highway skyline
On the back of a hurricane
That started turning
When you were young
When you were young

And sometimes you close your eyes
And see the place where you used to live
When you were young

They say the devil's water
It ain't so sweet
You dont have to drink right now
But you can dip your feet
Every once in a little while

You sit there in your heartache
Waiting on some beautiful boy to
To save you from your old ways
You play forgiveness
Watch it now
Here he comes

He doesnt look a thing like Jesus
But he talks like a gentleman
Like you imagined
When you were young
(talks like a gentleman)
(like you imagined)
When you were young

I said he doesnt look a thing like Jesus
He doesnt look a thing like Jesus
But more than you'll ever know

Kings of Leon - Sex on Fire (2008)

Here is a very interesting - and entertaining at that - article in today's London Evening Standard I would sign no-questions asked:
It argues that electronic Dance Music is, in fact, NOT the seeming culprit it is always blamed to be, for the slow and painful decline of the musical genre of Rock. And spot-on he is. What has this to do with the Kings of Leon? Read on, here's the article:

Has rock really hit the bottom of the charts?
Richard Godwin, Evening Standard 12 Jan 2011
I blame Kings of Leon. If anyone killed rock'n'roll, it was the Followill brothers, in the billiard room, with a certain song.
- continues below the video -

Kings of Leon - Sex on Fire (2008)
UK#1, IRL#1, FIN#1, AUS#1, NZ#2, Euro Hot100 #6, DK#7, BE#9, NL#16, SWE#16, CAN#22, AT#29, DE#33, CH#54, US#56, SVK#60



- continued from above -
Sex On Fire, inspired by Caleb Followill's ill-advised attempt to smoke a cigarette through his urethra, was released in September 2008 and immediately reached number one in the UK singles chart.

It went on to spend an astonishing 87 weeks in the Top 75, selling over one million copies, gushing bombastic mediocrity into the airwaves in a manner that went on to inspire the BP oil leak. Habitats were destroyed. Livelihoods ruined. And the high-flying bird we call rock'n'roll was smothered.

This week, the world noticed the corpse. We learned that post-Sex, sales of rock singles have hit an all-time low. Well, perhaps not all-time — they were significantly lower in 1834 — but with just three per cent of the 100 bestselling songs of last year defined as “rock”, middle-aged white men begin to worry that their tastes and preoccupations are no longer dominating every conceivable area of life.

“It is the end of the rock era. It's over in the same way that the jazz era is over,” lamented DJ Paul Gambaccini, who complained that record companies are now too short-sighted to invest in proper talent and budding guitarists are having to buy their own plectrums.

So who's the culprit? As Kings of Leon nervously twiddle their thumbs, a potential assailant has been identified. Hip-hop and R'n'B accounted for 47 per cent of last year's top sellers, with pop at 40 per cent, dance at 10 per cent and ragtime a non-mover at zero. The shift from “deep” rock music to ephemeral party music seems complete.

To complicate matters, however, the biggest-selling single of all last year was the rather moody hip-hop song, Love The Way You Lie, by Eminem and Rihanna. I recently saw it performed at a provincial karaoke night by a pair of emo kids, who wrought a compelling amount of angst from it. What conclusions to draw? That “hip-hop” is capable of doing “rock” emotions? That genre is hard to define these days?

Or merely that one form of music popularised by white men trying to copy black men has been surpassed by another form of music popularised by white men trying to copy black men? Anyway, if you look closely, you may just see the corpse of rock'n'roll twitch. In fact, you may see it get up, scratch its balls and order a pint of watered-downed Carling at the bar.

Rock still accounts for 27 per cent of album sales and 84 per cent of pub conversations, dominates the live arena and has found new audiences through games such as Guitar Hero. In fact, Forbes' list of the Top 10 grossing acts of last year — U2 first, AC/DC second, Springsteen fourth — reveals that the outlook for ageing white males with guitars is rather rosy.

But somehow I find the presence of Beyoncé, Jay-Z and Lady Gaga on the list more reassuring.

Robin S vs Jason Derulo - Don't Wanna Show Me Love

Robin S. vs. Jason Derulo - Don't Wanna Show Me Love

Jason Derulo s Robin S - Don't Wanna Show Me Love (SRP Blend) from KevBeMe on Vimeo.

Jason Derulo - Don't Wanna Go Home (2011)

Jason Derulo - Don't Wanna Go Home (2011) UK#1, ISR#2, AUS#5, HUN#6, AT#8, CAN#8, IRL#8, DE#11, DK#12, NL#12, SVK#13, US#14, ES#17, NZ#17, CH#18, FR#23, BE#36, SWE#37, CZK#43 Lyrics: Check that out what they playin' Thats my song Thats my song. grab my drinks I've been waitin much too long, much too long. And this girl in my lap passin out, she's a blonde. The last thing on my mind is goin home, from the window,(from the window) to the wall,(to the wall) this club is jumpin',( this club is jumpin') till tomorrow (till tomorrow) Is it daylight, or is it nightime, 1 o'clock, 2 o'clock, 3 o'clock, 4 We gon' tear the club up up up up up up up up up Dayo, me say dayo, Daylight come an we dont wanna go home. Yeah so we losin control, Turn the lights low cause we about to get blown Let the club shut down, we wont go oh, oh, oh, oh, Burn it down to the floor oh, oh, oh, oh. Dayo me say dayo. Daylight come an we don't wanna go home. We drink the whole bottle but it aint over, over. Everybody jumpin on the sofa, sofa. Standin' on the chairs, Standin' on the bar, No matter day or night I'm shinin'. Bitch I'm a star! From the window,(from the window) to the wall 9 to the wall) This club is jumpin,( this club is jumpin') till tomorrow (till tomorrow) Is it daylight, or is it nighttime. 1 o'clock, 2 o'clock, 3 o'clock, 4 We gon' tear the club up up up up up up up up up Dayo, me say dayo. Daylight come an we dont wanna go home. Yeah so, We losin control. Turn the lights low cause we about to get blown. Let the club shut down we wont go oh, oh, oh, oh, Burn it down to the floor oh, oh, oh, oh. ( I said) Dayo me say dayo. Daylight come an we don't wanna go home. I just met this sexy haitian girl movin' like a dancer. Told her and her girlfriends let's meet in my cabana. Ask me where the party at, baby I'm the answer. Have another drink with me shorty where your manners, just another shot another shot, shot, shot, shot, I can make it hot make it hot. We gonna rock till the. Dayo me say dayo. Daylight come an we don't wanna go home, Yeah so, we losin' control. Turn the lights low cause we about to get blown. Let the club shut down. We wont go oh, oh, oh, oh, Burn it down to the floor oh, oh, oh, oh. Dayo me say dayo. Daylight come an we don't wanna go home!

Robin S. - Show Me Love (1993)

Robin Jackson, widely better known as simply Robin S., is the daughter of late Stonewall Jackson, boxer from Queens, NY, where Robin was born on 27 Jan 1962. Hard to believe that a track, which - like no other - pulls people to the dancefloors worldwide, only charted rather modestly back in 1993. It has been covered and remixed (but never matched, let alone bettered!) many-a-times since: Steve Angello, Swedish landsman of original producer Sten StoneBridge Hallstrom, would be one of them. More recently Jason Derulo sampled shockingly large parts of 'Show Me Love' in his 2011 'Don't Wanna Go Home'
Robin S. - Show Me Love (1993) NL#2, US#5, UK#6, CH#9, SWE#10, DE#11, FR#14, AT#15 Lyrics: Ahhh... Yeah yeah You’ve got to show me love Heartbreaks and promises, I’ve had more than my share I’m tired of giving my love and getting nowhere, nowhere What I need is somebody who really cares I really need a lover, a lover who wants to be there It’s been so long since I touched a wanting hand I can’t put my love on the line, that I hope you’ll understand So baby if you want me You’ve got to show me love Words are so easy to say, oh ah yeah You’ve got to show me love I’m tired of getting caught up in those one night affairs What I really need is somebody who will always be there Don’t you promise me the world, all that I’ve already heard This time around for me baby, actions speak louder than words So if you’re looking for devotion, talk to me Come with your heart in your hands Because me love is guaranteed So baby if you want me You’ve got to show me love Words are so easy to say, oh ah yeah You’ve got to show me love Show me, show me baby Show me, show me baby Show me, show me baby Show me, show me baby Heartbreaks and promises, I’ve had more than my share I’m tired of giving my love and getting nowhere, nowhere What I really need is somebody who will always be there This time around for me baby, actions speak louder than words If you’re looking for devotion, talk to me Come with your heart in your hands Because me love is guaranteed So baby if you want me You’ve got to show me love Words are so easy to say, oh ah yeah You’ve got to show me love There’s nothing that you can tell me You’ve got to show me love There’s only one key to my heart You’ve got to show me love Show me, show me baby You’ve got to give it to me, give it to me, give it to me yeah I don’t want no fakes, don’t want no phoney I need you love Show me, show me, show me baby Give it to me, give it to me I am not a toy, I’m not a play thang You’ve got to understand If you’re looking for devotion, talk to me Come with your heart in your hands Because me love is guaranteed... Yeah yeah yeah yeah yeah

Celine Dion - My Heart Will Go On (1997)

Celine Dion - My Heart Will Go On (1997) US#1, AT#1, AUS#1, BE#1, CAN#1, CH#1, DE#1, DK#1, ES#1, EuroHot100#1, FIN#1, FR#1, GRE#1, IRL#1, IT#1, JAP#1, NL#1, NOR#1, SWE#1, UK#1, NZ#2 Lyrics: Every night in my dreams I see you, I feel you That is how I know you, go on Far across the distance And spaces between us You have come to show you, go on Near, far, wherever you are I believe that the heart does go on Once more you open the door And you're here in my heart And my heart will go on and on Love can touch us one time And last for a lifetime And never let go till we're gone Love was when I loved you One true time I hold you In my life we'll always go on Near, far, wherever you are I believe that the heart does go on Once more you open the door And you're here in my heart And my heart will go on and on You're here, there's nothing I fear And I know that my heart will go on We'll stay forever this way You are safe in my heart And my heart will go on and on

Kiko Navarro - Perceptions (2006)

Soundtrack to my Morning: Electro of the finest kind. Kiko Navarro started out as DJ in the 1990s, but also produces and remixes. Richard Grey provides the best thereof of this track, hugely popular at Pacha and all over the Balearics a couple of years ago... - pure endulgement! Kiko Navarro - Perceptions - Richard Grey Mix (2006) Click here to listen

Wang Chung (黃鐘) - Dance Hall Days (1984)

Wang Chung were a British New Wave trio formed in 1980. The name Wang Chung means 'Yellow Bell' (黃鐘 -'Huáng Zhōng'), and is the first note in the Chinese classical music scale. They found their biggest success in the US (incl. follow ups) and continental Europe with 'Dance Hall Days', while at home they remained relatively unknown.
Wang Chung - Dance Hall Days (1984) CAN#5, CH#5, DE#5, NL#9, SWE#9, US#16, UK#21 Lyrics: Take your baby by the hand And make her do a high hand stand Take your baby by the heel And do the next thing that you feel We were so in phase In our dance hall days We were cool on craze When I, you, and everyone we knew Could believe, do, and share in what was true Oh, I said Dance hall, days love Take your baby by the hair And pull her close and there there there Take your baby by the ears And play upon her darkest fears We were so in phase In our dance hall days We were cool on craze When I, you, and everyone we knew Could believe, do, and share in what was true Oh, I said Dance hall, days love Dance hall, days love Dance hall days Dance hall, days love So take your baby by the wrist And in her mouth an amethyst And in her eyes two sapphires blue And you need her and she needs you And you need her and she needs you We were so in phase In our dance hall days We were cool on craze When I, you, and everyone we knew Could believe, do, and share in what was true Oh, I said Dance hall, days love Dance hall, days love Dance hall, days love Dance hall days Dance hall, days love Dance hall days Dance hall, days love Dance hall days Dance hall, days love

Έλενα Παπαρίζου - Τρελή Καρδιά (2004)

Soundtrack to my morning. Despite the Greek name and Eurovision participation for the country, Elena Paparizou was actually born in Stockholm, Sweden. This one is post-ESC, anno 2004... Treli Kardia - Crazy Heart. or something like that... love the track
Elena Paparizou - Treli Kardia (2004) Lyrics: Με ένα σου χάδι που κυλάει στο κορμί μου και την ανάσα σου ακούω αναστενάζω Νιώθω την καρδιά μου να χτυπά δυνατά μες τη φωτιά μάτια ερωτευμένα που ζητούν το καυτό φιλί στο στόμα Τρελή καρδιά που δεν μπορεί σε αμαρτίες να αντισταθεί | 2x και ψάχνεται μες στον Βοριά και στα δίχτυα του έρωτα | 2x Με ένα παιχνίδι σου ζητώ τελείωσε με Μεσ' το σκοτάδι ψάχνω να βρω, κυνηγώ Μες τη φαντασία δυο κορμιά αγκαλιά με φώτα σβηστά Νιώσε την ανάγκη να ζητάς να μεθάς πάνω στο κορμί μου Τρελή καρδιά που δεν μπορεί σε αμαρτίες να αντισταθεί | 2x και ψάχνεται μες στον Βοριά και στα δίχτυα του έρωτα | 2x I search to find a hunter Με ένα παιχνίδι σου ζητώ τελείωσέ με Μεσ' το σκοτάδι ψάχνω να βρω, κυνηγώΤρελή καρδιά που δεν μπορεί σε αμαρτίες να αντισταθεί | 4x και ψάχνεται μες στον Βοριά και στα δίχτυα του έρωτα | 4x Τρελή καρδιά... English translation: With one your stroke that rows on my body and I hear your breath I sigh I feel my heart to beat strongly into the fire eyes in love that are asking the burning kiss to mouth Crazy heart that cannot resist to sins and searches it self into the north-wind and in love's web With one game i ask you finish me into the dark I search to find a hunter Into the fantasy two bodies huged with turned off lights feel the need to ask, to get drunk over my body Crazy heart that cannot resist to sins and searches it self into the north-wind and in love's web With one game i ask you finish me into the dark I search to find a hunter Crazy heart that cannot resist to sins and searches it self into the north-wind and in love's web

D Guetta & K Rowland - When Love Takes Over (2009)

David Guetta & Kelly Rowland - When Love Takes Over (2009) CH#1, CZK#1, EuroHot100#1, HUN#1, IRL#1, ISR#1, IT#1, SVK#1, UK#1, BE#2, DE#2, DK#2, FR#2, NL#2, SWE#2, AT#3, ES#4, NOR#4, AUS#6, FIN#7, NZ#7, CAN#22, BRZ#52, US#76 Lyrics: It's complicated It always is That’s just the way it goes Feels like I waited so long for this I wonder if it shows Head under water Now i can't breath And never felt so good ‘Cause i can feel it coming over me I wouldn’t stop it if i could When love takes over (yeah-ee-eah) You know you can’t deny When love takes over (yeah-ee-eah) ‘Cause something’s here tonight Give me a reason I gotta know Do you feel it too? Cant you see me here on overload And this time I blame you Looking out for you to hold my hand It feels like I could fall Now love me right, like I know you can We could lose it all When love takes over (yeah-ee-eah) You know you can’t deny When love takes over (yeah-ee-eah) ‘Cause something’s here tonight When love takes over (yeah-ee-eah) You know you can’t deny When love takes over (yeah-ee-eah) ‘Cause something’s here tonight Tonight, tonight, tonight, tonight, tonight, tonight

Charlene - I've Never Been To Me (1976/1982)

Charlene Marilynn D'Angelo, born 1 June 1950 in Hollywood
Charlene - I've Never Been To Me (1976/1982) 1976: US#97 1982: UK#1, US#3 Lyrics: Hey lady, you lady, cursing at your life You're a discontented mother and a regimented wife I've no doubt you dream about the things you'll never do But, I wish someone had talked to me Like I wanna talk to you..... Oh, I've been to Georgia and California and anywhere I could run I took the hand of a preacher man and we made love in the sun But I ran out of places and friendly faces because I had to be free I've been to paradise but I've never been to me Please lady, please lady, don't just walk away 'Cause I have this need to tell you why I'm all alone today I can see so much of me still living in your eyes Won't you share a part of a weary heart that has lived million lies.... Oh, I've been to Niece and the Isle of Greece while I've sipped champagne on a yacht I've moved like Harlow in Monte Carlo and showed 'em what I've got I've been undressed by kings and I've seen some things that a woman ain't supposed to see I've been to paradise, but I've never been to me [spoken] Hey, you know what paradise is? It's a lie, a fantasy we create about people and places as we'd like them to be But you know what truth is? It's that little baby you're holding, it's that man you fought with this morning The same one you're going to make love with tonight That's truth, that's love...... Sometimes I've been to crying for unborn children that might have made me complete But I took the sweet life, I never knew I'd be bitter from the sweet I've spent my life exploring the subtle whoring that costs too much to be free Hey lady...... I've been to paradise, (I've been to paradise) But I've never been to me (I've been to Georgia and California, and anywhere I could run) I've been to paradise, never been to me (I've been to Neice and the isle of Greece while I've sipped champagne on a yacht) I've been to paradise, never been to me (I've been to cryin' for unborn children that might have made me complete) I've been to paradise, never been to me (I've been to Georgia and California, and anywhere I could run) I've been to paradise, never been to me Cover Versions in other languages: Cantonese Vivian Chow's Cantonese version '孤單的心痛' ('The solitary heartache') is a Cantopop love song based on I've Never Been to Me. Japanese There are two different versions of the lyrics in Japanese. One largely follows the original theme, while a newer version has completely different lyrics written by Keiko Aso(麻生圭子) with the title "LOVE IS ALL ~愛を聴かせて~"(Love is All -Let me hear your love-). Japanese female singer Megumi Shiina(椎名恵) recorded it for a TV period drama of the unrequited love between Takeda Shingen's daughter and Oda Nobunaga's son. The latter, positive version is often used as a wedding song in Japan; the chorus line "never been to me" is replaced with "my love is true". This reappropriation of the song's melody for use in a wedding is quite ironic, as the original song's lyrics describe a single, lonely, aged, childless, promiscuous woman who never got married and wishes she had borne children; further, the singer describes the life of a married woman - the implied listener of the song - as a "discontented mother and a regimented wife" who "dream[s] about the things you'll never do". The original lyrics' meaning would be a rather poor fit for a wedding. However, the wild and free-wheeling lifestyle of the singer, even if presented in lurid detail (having "been undressed by kings, and ... seen some things that a woman ain't supposed to see") is presented as a warning to the bored housewife, that the boring married lifestyle is, in the end, better than a life of free-love that ends in loneliness and solitude. Seen this way, this warning could be construed as appropriate for a wedding. In any event, this adaptation uses different lyrics, so younger Japanese listeners may be unaware of the original lyrics' meaning. By the way, in Japan the original English version itself is known with another title "Ai wa Kagerou no you ni"(roughly meaning 'love seems ephemeral'), as is often the case for oversea songs released there. Mandarin '三月的玫瑰' ('Rose of March'), performed by Taiwanese singer, Jin Rei-Yao (金瑞瑤). Taiwanese singer Teresa Teng recorded versions of this song both in Mandarin and in English Female group S.H.E. performed this song in one of their albums without altering the lyrics. The spoken bridge was missing, possibly because of the catchier tempo and melody that the group used to cover this song. Spanish Charlene herself recorded a Spanish version of this song called 'Nunca He Ido A Mi' with the spoken bridge portion intact. It was released concurrently with the English version. Swedish With the lyrics 'Jag har sett himmelen' ('I have seen heaven') in Swedish, Kikki Danielsson recorded the song on her 1983 album 'Singles Bar'. Finnish Seija Simola recorded the Finnish version 'En tunne itseäin' ('I do not know myself') in 1984. It was released as a single, as well as on the compilation 'Jokamiehen suosikit 10'. Korean 'As One' (에즈원), Korean female duo, Crystal (Dahee Chae 채다희) and Min (Minyoung Lee 이민영). Lyric by Sara Yun (윤사라), and re-arranged by Jaehong Shin (신재홍). Album Day by day, released on November 11, 1999. German A German version with the same sentiment as in the original version, but a softer choice of words (avoiding phrases like 'exploring the subtle whoring', which can be found in Charlene's original version) was recorded by Swiss-born singer Paola under the title 'Ich hab' ins Paradies geseh'n (I've peeked into paradise)'. Mary Roos recorded the German rendering 'Doch mich selber kenn ich nicht' for her 1978 album Maryland: Michael Kunze wrote the lyrics for this version whose title translates as "But I do not know myself". Leonard remade this version for his 2001 Rhythmus der nacht album. In 2009, German singer Ina Müller recorded the song in the German minority language of 'Plattdütsch' (Low German) as 'De Wind vun Hamborg' (meaning 'The breeze of Hamburg'). The Low German lyrics, written by Müller herself, tell about the singer's experiences during her travels of Northern Germany and concluding that the most happy times have always been when she felt the breeze of Hamburg blowing, thereby transporting the sentiment that there's no place like home. Prior to the studio recording, "De Wind vun Hamborg" had been part of Ina Müller's stage act for several years and still is. Vietnamese A Vietnamese version of 'I've Never Been To Me' was written and sung by Vân Quỳnh. The title of the song is called 'Thiên Đường Ảo' ('Virtual Heaven').

Jonas Rathsman - Tobago (2011)

Jonas Rathsman - Tobago (2011)

Alison Moyet - Love Resurrection (1984)

Alison Moyet - Love Resurrection (1984) IT#8, IRL#8, UK#10, BE#15, NZ#18, NL#26, CAN#39, US#82
Alison Moyet - Love Resurrection by trashfan Lyrics: What can I do to make light Of this dull dull day What switch can I pull To illuminate the way Show me one direction I will not question again For a warm injection Is all I need to calm the pain We all need a love (resurrection, just a little divine intervention) We all need a love (resurrection just a little divine intervention) What seed must I sow To replenish this barren land Teach me to harvest, I want you to grow in my hand Let's be optimistic, Let's say that we won't toil in vain If we pull together We'll never fall apart again We all need a love (resurrection, just a little divine intervention) We all need a love (resurrection, just a little divine intervention) We need love Resurrection (We need a little love) We need a divine (intervention) Show me one direction I will not question again For a warm injection Is all I need to calm the pain We all need a love (resurrection, just a little divine intervention) We all need a love (resurrection just a little divine intervention) We need love Resurrection We need love (we need a love resurrection) (Just a little divine intervention)

D'Lux - Love Resurrection (1996)

D'Lux - Love Resurrection (1996) UK#58 Lyrics: What can I do to make light Of this dull dull day What switch can I pull To illuminate the way Show me one direction I will not question again For a warm injection Is all I need to calm the pain We all need a love (resurrection, just a little divine intervention) We all need a love (resurrection just a little divine intervention) What seed must I sow To replenish this barren land Teach me to harvest, I want you to grow in my hand Let's be optimistic, Let's say that we won't toil in vain If we pull together We'll never fall apart again We all need a love (resurrection, just a little divine intervention) We all need a love (resurrection, just a little divine intervention) We need love Resurrection (We need a little love) We need a divine (intervention) Show me one direction I will not question again For a warm injection Is all I need to calm the pain We all need a love (resurrection, just a little divine intervention) We all need a love (resurrection just a little divine intervention) We need love Resurrection We need love (we need a love resurrection) (Just a little divine intervention)

Sandra - Maria Magdalena (1985)

Sandra - Maria Magdalena (1985) 1985: DE#1, AT#1, CH#1, EuroHot100#1, GRE#1, NL#1, NOR#1, SWE#1, IT#3, FR#5, UK#91 1986: UK#87 1993: FIN#8
Sandra - Maria Magdalena(1985)HD by alexandru2006 Lyrics: You take my love You want my soul I would be crazy to share your life Why can't you see what I am Sharpen the senses and turn the knife Hurt me and you'll understand I'll never be Maria Magdalena (You're a creature of the night) Maria Magdalena (you're a victim of the fight) (you need love) Promise me delight (You need love) Why must I lie Find alibis When will you wake up and realize I can't surrender to you Play for affection and Win the prize I know those party games too I'll never be Maria Magdalena (You're a creature of the night) Maria Magdalena (you're a victim of the fight) (you need love) Promise me delight (You need love)

Hurts - Wonderful Life (2010)



Hurts - Wonderful Life - Freemasons Remix (2010)
DE#2, ISR#2, CH#4, HUN#4, AT#6, BE#8, DK#8, EuroHot100#10, SVK#14, CZK#15, FIN#15, UK#21, SWE#30, IRL#38, NL#83



Lyrics:

On a bridge across the Severn on a saturday night,
Susie meets the man of her dreams.
He says that he got in trouble and if she doesn't mind
He doesn't want the company
But there's something in the air
They share a look in silence and everything is understood
Susie grabs her man and puts a grip on his hand as the rain puts a tear in his eye.

Don't let go
Never give up, it's such a wonderful life
Don't let go
Never give up, it's such a wonderful life

Driving through the city to the temple station,
Cries into the leather seat
And Susie knows the baby was a family man,
But the world has got him down on his knees

So she throws him at the wall and kisses burn like fire,
And suddenly he starts to believe
He takes her in his arms and he doesn't know why,
But he thinks that he begins to see

Don't let go
Never give up, it's such a wonderful life
Don't let go
Never give up, it's such a wonderful life
Don't let go
Never give up, it's such a wonderful life
Don't let go
Never give up, it's such a wonderful life

Don't let go
Never give up
Don't let go
Never give up, it's such a wonderful life

Wonderful life, wonderful life, wonderful, wonderful, wonderful life
Wonderful life, wonderful life, wonderful, wonderful, wonderful life

Don't let go
Don't let go

Stonebridge & Therese - Put 'Em High (2004)

Stonebridge & Therese - Put 'Em High (2004) UK#6, AUS#33 Lyrics: Baby, let me, need me, those were, the words you, gave me, never, felt this way, before, your love, tastes like, ah-haaaa, And baby i don't care where you've been before just Put 'em high, Put 'em high make the best of it, just a little bit, just Put 'em high, And Put 'em high ba-ber-bom-bom ba-ber-bom-bom ba-ber-bom-bom ba-ber-bom-bom ba-ber-bom-bom bom-ba-ber-bom-bom Put 'em high Push it high ba-ber-bom-bom bom-ba-ber-bom-bom Put 'em high Push it high Baby, let me, need me, those were, the words you, gave me, never, felt this way, before, your love, tastes like, ah-haaaa, And baby i don't care where you've been before just Put 'em high, Put 'em high make the best of it, just a little bit, just Put 'em high, And Put 'em high ba-ber-bom-bom ba-ber-bom-bom ba-ber-bom-bom ba-ber-bom-bom ba-ber-bom-bom ba-ber-bom-bom Put 'em high Push it high ba-ber-bom-bom bom-ba-ber-bom-bom Put 'em high Push it high

Stonebridge & Therese - Take Me Away (2004)

Stonebridge & Therese - Take Me Away (2004) UK#9 Lyrics: (Aaah!) (Aayh!) When you`re away at work I`m seeing this other guy He`s treating me really well You know I don`t ask for much It`s so hard to be alone You`re always gone It`s so hard to be alone You`re always gone Ah-ah-ah-ah-I Wanna feel the music take me away Ah-ah-ah-ah-I Feel the beat and the music take me away (Heey!) Ah-ah-ah-ah-I (Yeaaah, yay!) Wanna feel the music take me away (Yaay-iih-yaay-iih-yaay!) Ah-ah-ah-ah-I Feel the beat and the music (Aaah!) take me away (Heey!) Sorry to break your heart (But you don`t really give me much choice, do ya) I have to live my life (And all I wanna do is to dance and have fun) It`s so hard when you`re away I`m all alone It`s so hard when you`re away I`m all alone Ah-ah-ah-ah-I Wanna feel the music take me away (Yaay-iih-yaay-iih-yaay!) Ah-ah-ah-ah-I Feel the beat and the music (Aaah!) take me away I... Ah-ah-ah-ah-I (Wanna dance, wanna da...!) Wanna feel the music take me away (Yaay-iih-yaay-iih-yaay!) Ah-ah-ah-ah-I (Aaah!) Feel the beat and the music take me away I... Oh-uuooh-uuooh-oh-uuooh I wanna tell you this, my love (Aaah!) I... Ah-ah-ah-ah-I Wanna feel the music take me away Ah-ah-ah-ah-I Feel the beat and the music take me away Ah-ah-ah-ah-I Wanna feel the music take me away Ah-ah-ah-ah-I Feel the beat and the music take me away Ah-ah-ah-ah-I Wanna feel the music take me away (Yaaay-iih-yaaay-iih-yaay!) Ah-ah-ah-ah-I Feel the beat and the music take me away (Hey!) Ah-ah-ah-ah-I (Yeaaah, yay!) Wanna feel the music take me away (Wanna dance, wanna da...!) Ah-ah-ah-ah-I (Heeey!) Feel the beat and the music take me away (Hey!) (Yaaay-iih-yaaay-iih-yaay!) (Wanna dance the night...) (Uuuhuuh!) (Uuh-uh-uuh-uh-ooh!) (Huh-yeah!)